Since surfing was central to the first movie, the filmmakers wanted to include it again, but at a higher level.[22] Core and his team looked all over the world to try to find out where waves were going to hit, and when, before finally settling on Teahupoʻo in Tahiti.[7][22] However, shooting the scene proved to be challenging since enormous, surfable waves are rare and unpredictable. A set of crew first went to Jaws, a surf break in Maui, months before principal photography began on the film.[22] The team had to wait several days in Teahupoʻo for the waves to swell.[7] Luckily, enormous swells arrived. The crew ran nine cameras in the water, on cliffs and on helicopters to capture the action in January 2014.[22] Laird Hamilton, a pioneering big-wave surfer, who also played a minor role in the film, contributed his skills to the shoot.[22] Additionally, Ian Walsh, a surfer from Maui, Billy Kemper, Makua Rothman, and Ahani Tsondru, served as stunt doubles.[25]
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In 1991, Reeves starred in Bill & Ted's Bogus Journey, a sequel to Bill & Ted's Excellent Adventure, with his co-star Alex Winter. Michael Wilmington of the Los Angeles Times wrote that the sequel was "more imaginative, more opulent, wilder and freer, more excitingly visualized", praising the actors for their "fuller" performances.[36] Film critic Roger Ebert thought it was "a riot of visual invention and weird humour that works on its chosen sub-moronic level [...] It's the kind of movie where you start out snickering in spite of yourself, and end up actually admiring the originality that went into creating this hallucinatory slapstick".[37] The rest of 1991 marked a significant transition for Reeves' career as he undertook adult roles. Co-starring with River Phoenix as a street hustler in the adventure My Own Private Idaho, the characters embark on a journey of personal discovery. The story was written by Gus Van Sant, and is loosely based on Shakespeare's Henry IV, Part 1, Henry IV, Part 2, and Henry V. The film premiered at the 48th Venice International Film Festival,[38] followed by a theatrical release in the United States on September 29, 1991. The film earned $6.4 million at the box office.[39] My Own Private Idaho was positively received, with Owen Gleiberman of Entertainment Weekly describing the film as "a postmodern road movie with a mood of free-floating, trance-like despair [...] a rich, audacious experience".[40] The New York Times complimented Reeves and Phoenix for their insightful performances.[41]
Reeves' next leading role came in the 1995 cyberpunk action thriller Johnny Mnemonic, directed by artist Robert Longo and based on the 1981 story of the same name by William Gibson. Set in 2021, it is about a man who has a cybernetic brain implant and must deliver a data package before he dies or is killed by the Yakuza. The film received mainly negative reviews and critics felt Reeves was "woefully miscast".[65] Roger Ebert opined that the film is one of the "great goofy gestures of recent cinema, a movie that doesn't deserve one nanosecond of serious analysis but has a kind of idiotic grandeur that makes you almost forgive it."[66] As part of the film studio's marketing efforts, a CD-ROM video game was also released.[67]
In 2013, Reeves starred in his own directorial debut, the martial arts film Man of Tai Chi. The film has multilingual dialogue and follows a young man drawn to an underground fight club, partially inspired by the life of Reeves' friend Tiger Chen. Principal photography took place in China and in Hong Kong. Reeves was also assisted by Yuen Woo-ping, the fight choreographer of The Matrix films.[132] Man of Tai Chi premiered at the Beijing Film Festival and the Cannes Film Festival,[133][134] and received praise from director John Woo.[135] A wider, warm response followed suit; Bilge Ebiri of Vulture thought the fight sequences were "beautifully assembled", and Reeves showed restraint with the film editing to present the fighters' motion sequences.[136] The Los Angeles Times wrote, "The brutally efficient shooting style Reeves employs to film master choreographer Yuen Woo-ping's breathtaking fights [...] is refreshingly grounded and old-school kinetic",[137] while Dave McGinn of The Globe and Mail called the film "ambitious but generic".[138] At the box office, Man of Tai Chi was a commercial disappointment, grossing only $5.5 million worldwide from a budget of $25 million.[139][140] Also in 2013, Reeves played Kai in the 3D fantasy 47 Ronin, a Japanese fable about a group of rogue samurai. The film premiered in Japan but failed to gain traction with audiences; reviews were not positive, causing Universal Pictures to reduce advertising for the film elsewhere. 47 Ronin was a box office flop and was mostly poorly received.[141]
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